Introduction to Ethnomusicology C

Introduction to Ethnomusicology C

Study Cycle: 1

Lectures: 30

Seminars: 0

Tutorials: 30

ECTS credit: 3

Lecturer(s): doc. dr. Verbuč David

• Historical overview of the development of ethnomusicology.
• Contemporary concepts, theories, and methods.

• Emphasis on the following ethnomusicological concepts and theories: critical perspective on history of ethnomusicology, research ethics, music ethnography, and relations between music and meaning, race, ethnicity, gender, social class, economy, commodification, globalization, diaspora, tourism, technology, community, construction of authenticity, »world music« concept, ethnomusicology of popular and Western art music.

• Relations among folk music research, comparative musicology, and modern ethnomusicology, and between the practice of ethnomusicology in Slovenia and elsewhere in the world.
• Ethnomusicology and other scholarly disciplines.
• Important ethnomusicologists, institutions, societies and literature in Slovenia and elsewhere.
• The path from fieldwork to the publishing of an ethnomusicological study.
• Introduction to ethnochoreology and ethno-organology.
• Selected topics from the practice of ethnomusicology worldwide.

The tutorial includes 20 hours of field practice in the form of visits to institutions related to music and ethnomusicology.

Cooley, Timothy J. 2008. “Casting Shadows: Fieldwork is Dead! Long Live Fieldwork!: Introduction.” V Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology, Druga izdaja, uredila Gregory F. Barz in Timothy J. Cooley, 3-24. Oxford University Press. COBISS.SI-ID 30718253
Kisliuk, Michelle. 2008. “(Un)doing Fieldwork: Sharing Songs, Sharing Lives.” V Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology, Druga izdaja, uredila Gregory F. Barz in Timothy J. Cooley, 183-205. Oxford University Press. COBISS.SI-ID 30718253
Merriam, Alan P. 1964. “Toward a Theory for Ethnomusicology.” V Anthropology of Music, 17-36. Northwestern University Press. COBISS.SI-ID - 107612160
Rice, Timothy. 1987. “Toward the Remodeling of Ethnomusicology.” Ethnomusicology 31(3): 469-488. https://www.jstor.org/stable/851667
Pettan, Svanibor. 1995. “Etnomuzikologija v Sloveniji in v ZDA: izhodišča za primerjavo.” V Razvoj slovenske etnologije od Štreklja in Murka do sodobnih etnoloških prizadevanj, uredila Rajko Muršič in Mojca Ramšak, 118-123. Ljubljana: Slovensko etnološko društvo, Znanstveni inštitut Filozofske fakultete. COBISS.SI-ID - 53990144
Pettan, Svanibor. 2001. “Glasbeno življenje na Zanzibarju in slovenska etnomuzikologija.” Časopis za kritiko znanosti 29(204/205/206): 200-232. https://www.dlib.si/details/URN:NBN:SI:DOC-JV24CDB7
Turino, Thomas. 2008. “Why Music Matters.” V Music as Social Life: The Politics of Participation, 1-22. Chicago and London: The University of Chicago Press.
Geertz, Clifford. 1973. “Thick Description: Toward an Interpretive Theory of Culture.” V The Interpretation of Cultures, 3-32. New York: Basic Books.
Ingrid Monson. 1995. “The Problem with White Hipness: Race, Gender, and Cultural Conceptions in Jazz Historical Discourse.” Journal of the American Musicological Society 48(3): 396–422. https://www.amherst.edu/media/view/91528/original/Monson+-+The+Problem+…
Koskoff, Ellen. 1993. “Miriam Sings her Song: The Self and the Other in Anthropological Discourse.” V Musicology and Difference: Gender and Sexuality in Music Scholarship, uredila Ruth A. Solie, 149-163. Berkeley: University of California Press.
Regula Qureshi. 2002. “Mode of Production and Musical Production: Is Hindustani Music Feudal?” V Music and Marx: Ideas, Practice, Politics, uredila Regula Qureshi, 81-105. Routledge, New York. COBISS.SI-ID - 59923042
Turino, Thomas. 2008. “Participatory, Presentational, and High Fidelity Music in Zimbabwe.” V Music as Social Life: The Politics of Participation, 122-154. Chicago and London: The University of Chicago Press.
Guilbault, Jocelyne. 1993. “On Redefining the ‘Local’ through World Music.” The World of Music 35(2) 33-47. https://www.amherst.edu/media/view/57430
Taylor, Timothy, 1996. “Popular Music and Globalization.” V Global Pop: World Music, World Markets, 1-38. New York: Routledge. COBISS.SI-ID - 43259649
Whitmore, Aleysia K. 2016. “The Art of Representing the Other: Industry Personnel in the World Music Industry.” Ethnomusicology 60(2): 329-355. https://www.jstor.org/stable/10.5406/ethnomusicology.60.2.0329
Nannyonga-Tamusuza, Sylvia and Andrew N. Weintraub. 2012. “The Audible Future: Reimagining the Role of Sound Archives and Sound Repatriation in Uganda.” Ethnomusicology 56(2): 206-233. https://www.jstor.org/stable/10.5406/ethnomusicology.56.2.0206
Seeger, Anthony. 1992. “Ethnomusicology and Music Law.” Ethnomusicology 36(3): 345-359. https://posgrado.unam.mx/musica/div/pdf/GilBraga/Seeger-Ethnomusicology…
Seeger, Anthony. 2008. “Theories Forged in the Crucible of Action: The Joys, Dangers, and Potentials of Advocacy and Fieldwork.” V Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology, Druga izdaja, uredila Gregory F. Barz in Timothy J. Cooley, 271-288. Oxford University Press. COBISS.SI-ID - 30718253
Babiracki, Carol M. 2008. “What’s the Difference?: Reflections on Gender and Research in Village India.” V Shadows in the Field, Druga izdaja, uredila Gregory F. Barz and Timothy J. Cooley, 121-138. New York: Oxford University Press. COBISS.SI-ID 30718253
Wong, Deborah. 2004. “Karaoke, Mass Mediation and Agency in Vietnamese American Popular Music.” V Speak It Louder: Asian Americans Making Music, 69-88. New York and London: Routledge. ISBN 0-415-97040-7
Eric Martin Usner. 2011. “The Condition of Mozart’: Mozart Year 2006 and the New Vienna.” Ethnomusicology Forum 20(3): 413-442. https://www.tandfonline.com/doi/abs/10.1080/17411912.2011.650926
Verbuč, David. 2021. “Assembling the Local DIY Community.” V DIY House Shows and Music Venues in the US: Ethnographic Explorations of Place and Community, 175-199. New York and London: Routledge. COBISS.SI-ID - 118624259